Publications by Team Members and Visiting Fellows

2016

Gilbert, Helen. (forthcoming) “On Show: Truth and Reconciliation in Canada”. The Social Work of Narrative: Human Rights and the Cultural Imaginary. Ed. Gareth Griffiths and Philip Mead. Hannover: Ibidem-Verlag.

Gilbert, Helen and J.D. Phillipson. (forthcoming) ‘Out of the Architecture: Installation, Activation, Invigilation’. Raheja, Michelle. ‘Theorizing Global Indigenous Hip Hop’. In the Balance: Indigeneity, Performance, Globalization. Ed. Helen Gilbert, J.D. Phillipson, and Michelle H. Raheja.

Gleghorn, Charlotte. (forthcoming) ‘Indigenous Filmmaking in Latin America’. Companion to Latin American Film. Ed. María Delgado, Randal Johnson and Stephen Hart. Blackwell-Wiley, 2016.

Llanes-Ortiz, Genner. (forthcoming 2016) ‘Grains of Resistance: Celebrating Rituals, Bodies and Food in the Yucatán and Belize’. Resistant Strategies. Ed. Diana Taylor. Hemispheric Institute for Performance and Politics, New York. (Includes 3 short documentaries: ‘Fiesta of Maize in Yucatán’, ‘Feria of Native Seeds in Quintana Roo’, and ‘Maya Day in Belize’.)

Moyo, Arifani (forthcoming) ‘Richard Loring’s African Footprint as Modality of Expedient Visibility: Exploring Visual Power within Theatrical Globalisation’. In the Balance: Indigeneity, Performance, Globalization, ed. Helen Gilbert, Dani Phillipson and Michelle Raheja.

Robinson, Dylan. (2016) “Intergenerational Sense, Intergenerational Responsibility”. Arts of Engagement: Taking Aesthetic Action In and Beyond Canada’s Truth and Reconciliation Commission. Ed. Dylan Robinson and Keavy Martin. Toronto: Wilfrid Laurier Press, 43–66.

Robinson, Dylan, and Keavy Robinson, eds. Arts of Engagement: Taking Aesthetic Action In and Beyond Canada’s Truth and Reconciliation Commission. Toronto: Wilfrid Laurier Press.

2015

Gilbert, Helen and J.D. Phillipson, with Peter Morin. ‘Cultural Graffiti in London: Singing Life into Exhibitions and Embodying the Digital Document’, UNESCO Observatory e-Journal 4.3 (2015). [download]

Gleghorn, Charlotte. (forthcoming 2015) ‘Interview with Amado Villafaña’. Native Networks website, Smithsonian Institution: http://www.nativenetworks.si.edu/nn.html

Gleghorn, Charlotte. (forthcoming 2015) ‘Interview with Juliana Julujuj’. Native Networks website, Smithsonian Institution: http://www.nativenetworks.si.edu/nn.html

Gleghorn, Charlotte. (forthcoming 2015) ‘Interview with Geodiel Chindicué’. Native Networks website, Smithsonian Institution: http://www.nativenetworks.si.edu/nn.html

Huarcaya, Sergio. (2015) ‘Performativity, Performance and Indigenous Activism in Ecuador and the Andes’, Comparative Studies of Society and History. 57:3. 806–837.

Robinson, Dylan. (2015) ‘Reconciliation Relations’. Canadian Theatre Review 161.1: 60–63.

2014

Castro, Estelle. (2014) ‘Axiopraxis en mouvement. Festivals et production artistique autochtone océanienne comme lieux de production politique du culturel’. In Les sciences humaines et sociales dans le Pacifique Sud: terrains, questions et méthodes, édité par Laurent Dousset, Barbara Glowczewski et Marie Salaün. Marseille: Pacific-Credo Publications, 207–28.

Gilbert, Helen. (2014) ‘“Let the Games Begin”: Pageants, Protests, Indigeneity (1968–2010)’. The Politics of Interweaving Performance Cultures. Ed. Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain. London: Routledge, 156–75.

Gilbert, Helen and Charlotte Gleghorn, eds. (2014) Recasting Commodity and Spectacle in the Indigenous Americas. London: Institute for Advanced Study, University of London.

Huarcaya, Sergio. (2014) ‘Performing and Disputing Indigeneity in the Fiesta del Coraza in Otavalo, Ecuador’. Recasting Commodity and Spectacle in the Indigenous Americas. Ed. Helen Gilbert and Charlotte Gleghorn. London: Institute for Advanced Study, University of London, 185–203.

Huarcaya, Sergio. (2014) ‘Imagining Ecuadorians: Historicizing National Identity in Twentieth-century Otavalo, Ecuador,” Latin American Research Review 49.3 (2014): 64–84.

Llanes-Ortiz, Genner. (2014) ‘Everyday Work as Spectacle: Celebrating Maya Embodied Culture in Belize’. Recasting Commodity and Spectacle in the Indigenous Americas. Ed. Helen Gilbert and Charlotte Gleghorn. London: Institute for Advanced Study, University of London, 151–66.

Poll, Melissa. ‘Adapting “Le Grand Will” in Wendake: Ex Machina and the Huron Wendat Nation’s Scenographic Collaboration’. Theatre Research in Canada 35.3 (2014): 330–51.

Robinson, Dylan. (2014) ‘Feeling Reconciliation, Remaining Settled’. Theatres of Affect. Ed. Erin Hurley. Playwrights Canada Press, 275–306.

2013

Castro, Estelle (2013) ‘Call to Action and Civic Creativity at the Rochefort Pacific Film Festival’. Bulletin of Francophone Postcolonial Studies, 4.1: 12–20.

Castro, Estelle (2013) ‘“Behind every suffering, there is a human life worth loving”: Uniqueness, Universality and Hope in Samson and Delilah’. Journal of the European Association for Studies of Australia, 4.1: 158–76.

Gilbert, Helen, ed. (2013) Indigeneity and Performance: Interdisciplinary Perspectives. Special issue of Interventions: International Journal of Postcolonial Studies 15.2 [8 essays plus introduction, pp. 173–180]

Gilbert, Helen. (2013) ‘Indigeneity, Mobility and the Cosmopolitics of Postcolonial Belonging in the Atomic Age’. Interventions: International Journal of Postcolonial Studies. 15.2: 195-210.

Gleghorn, Charlotte. (2013) ‘Revisioning the Colonial Record: La relación de Michoacán and Contemporary Mexican Indigenous Film’. Interventions: International Journal of Postcolonial Studies 15.2: 224-38. Special issue on Indigeneity and Performance. Ed. Helen Gilbert.

Gleghorn, Charlotte. (2013) 'Reconciliation en minga: Indigenous Video and Social Justice in Colombia’. Journal of Latin American Cultural Studies, 22.2: 169–94

2012

Huarcaya, Sergio Miguel. (2012) ‘A Commentary on Boy and the Indigenous Self’. New Zealand Journal of Media Studies 13.1: 102-5.

Robinson, Dylan. (2012) ‘Listening to the Politics of Aesthetics: Contemporary Encounters Between First Nations/ Inuit and Early Music Traditions’. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Ed. Anna Hoefnagels and Beverly Diamond. McGill-Queens University Press, 222-48.

Robinson, Dylan. (2012) ‘Intercultural Art Music and the Sensory Veracity of Reconciliation: Brent Michael Davids’ Powwow Symphony on the Dakota Music Tour’. MUSICultures: Journal of the Canadian Society for Traditional Music. 39.1: 111-28. Special Issue on Indigenous Modernities.

2011

Llanes-Ortiz, Genner. (2011) ‘De comunidades e identidades indígenas en travesía’. Revista Aquí Estamos 8.14: 13-19.

Robinson, Dylan. (2011) ‘Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake’. Opera Indigene: Re/presenting First Nations and Indigenous Culture. Ed. Karantonis and Robinson. London: Ashgate. 245-57.

Robinson, Dylan. (2011) ‘Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathy Charles Wherry, Tracey Herbert, and Marion Newman’. Opera Indigene: Re/presenting First Nations and Indigenous Culture. Ed. Karantonis and Robinson. London: Ashgate. 309-24.

Robinson, Dylan and Karantonis, Pamela, eds. (2011) Opera Indigene: Re/presenting First Nations and Indigenous Culture (London: Ashgate).

2010

Huarcaya, Sergio. (2010) ‘Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador’. Latin American and Caribbean Ethnic Studies. 5.3: 301-315.

Moyo, Arifani. (2010) Deconstructing the Native/Imagining the Post-Native: Race, Culture and Postmodern Conditions in Brett Bailey’s ‘plays of miracle and wonder’. Saarbrucken: Lambert Academic Publishing.

1990–2009

Gilbert, Helen. (2009) ‘Aboriginal Theatre in Canada’. Cambridge History of Canadian Literature. Ed. Coral Ann Howells and Eva-Marie Kröller. Cambridge: Cambridge UP. 518–35.

Gilbert, Helen. (2003) ‘Great Adventures in Nursing: Colonial Discourse and Health Care Delivery in Canada’s North’. Jouvert: A Journal of Postcolonial Studies 7.2. http://english.chass.ncsu.edu/jouvert/v7i2/con72.htm

Gilbert, Helen. (2003) ‘Black and White and Re(a)d All Over Again: Indigenous Minstrelsy in Australian and Canadian Theatre’. Theatre Journal 55.4: 679–98. Reprinted in Ric Knowles and Ingrid Mündel eds. “Ethnic,” Multicultural and Intercultural Theatre. Toronto: Playwrights Canada Press, 2009. 115–33.

Gilbert, Helen. (2002) ‘Embodied Knowledges: Technologies of Representation in a Postcolonial Classroom’. Crucible of Cultures. Ed. Marc Maufort and Franca Bellarsi. Brussels: Peter Lang. 326–40.

Gilbert, Helen. (2001) ‘De-scribing Orality: Performance and the Recuperation of Indigenous Voices’. De-scribing Empire: Colonialism and Textuality. Ed. Chris Tiffin and Alan Lawson. London: Routledge, 1994. 98–111. Reprinted in Colin Counsell and Laurie Wolfe, eds. Performance Analysis. London: Routledge. 116–23.

Gilbert, Helen. (1998) ‘Reconciliation? Aboriginality and Australian Theatre in the 1990s’. Our Australian Theatre in the 1990s. Ed. Veronica Kelly. Amsterdam: Rodopi. 71–88. Reprinted in Andrew Hassan and Amit Sarwal, eds. Australian Studies Now. Delhi: Indialog, 2007. 85–108.

Gilbert, Helen. (1998) Sightlines: Race, Gender and Nation in Contemporary Australian Theatre. Ann Arbor: Michigan University Press. [274pp]

Gilbert, Helen. (1996) Post-colonial Drama: Theory, Practice, Politics. Co-authored with Joanne Tompkins. London: Routledge. [344pp] Translated into Korean, 2006.

Gilbert, Helen. (1994) ‘“Talking Country”: Place and Displacement in Jack Davis's Theatre’. Jack Davis: A Critical Study. Ed. Gerry Turcotte. Sydney: Collins-Angus & Robertson. 60–71.

Gilbert, Helen. (1992) ‘The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics’. ARIEL: A Review of International English Literature 23.1: 133–47.

Gilbert, Helen. (1990) ‘Historical Re-presentation: Performance and Counter-discourse in Jack Davis's Drama’. New Literatures Review 19: 91–101.